Underwater photographers who travel and want a pro-level camera have been stuck with much larger, heavier full-frame DSLR camera systems. The choice was to compromise quality and capability for smaller size mirrorless cameras, or just deal with the extra weight, bulk and travel expense. In these days of add-on airline fees, this situation has been getting worse.
Earlier this year Sony changed all that with the release of the Sony a7 full-frame mirrorless camera. This is truely a game changing platform.
As I stated earlier in my review
of this camera, the Sony a7 series are light, fast, incredibly customizable, and
with a great sensor. The release of the high resolution a7r and the 4k
capable a7s further reinforced this great lineup.
But they have very few lenses available for the their new FE lens mount. For some reason Sony seems to come out with a new mount every time they come out with an SLR. Alpha lenses don't fit. Of course they have adapters, but those are usually slow and the resulting lens stack won't fit underwater housings. And the price adds up.
The missing lenses for underwater photography are (surprise) macro and
extreme wide angle.
Sony has recently posted the 2015 roadmap of new lenses
for their FE mount that fits the a7 series.
The good news on this front is that starting mid-next year Sony/Zeiss
will ship a 90mm macro lens (still not as powerful as I'd like to see for FX)
and a 28mm wide angle with FE and W/A adapters - not a great solution, but a better option
than the 35mm they have now. The venerable Nikonos 15mmFE manual lens probably still remains the underwater wide angle
lens of choice for the Nauticam NA-7 housing. Hopefully Sigma and some others will jump into this FE mount vacuum soon.
Here's a quote from a Sony executive from dpreview:
"...There are 13 lenses for the E mount
currently but we still need to create more lenses to compete with other
manufacturers. We’re catching up. One consistent request from our
customers is macro lenses and wide-aperture lenses...."
The promise of a lighter, smaller, electronic full-frame SLR camera system is slowly being realized. In the meanwhile, I'll still be shooting my Nikon, with decades of glass available.